here and there
hatje cantz
64 pp
From Dieter Roth's (1930-1998) exuberant universe of books, drawings, prints, photos, videos, pictures and objects, which often include organic materials and everyday objects consecrated to decay, the volume documents two stations from his time in Stuttgart.
In 1990, Roth produced a 25-color serigraph with the title Ein gerissener HASE by Frank Kicherer, which shows his unique and confident handling of various printing techniques. By rotating the print, moving individual printing cycles and changing colors, an incomparable wealth of variants was created. The selected sheets are preceded by a text by Dieter Roth to Frank Kicherer from 1979, which poetically reveals the friendly relationship between artist and printer.
With atmospheric photographs, the book also shows Roth's work on Bar No. 0, which he expanded and restored in February 1998, just a few months before his death, at the Staatsgalerie Stuttgart. Björn Roth, his son and artistic confidant, describes how he was commissioned by the Staatsgalerie to find a technique for detaching the work from the workshop wall.
64 pp
From Dieter Roth's (1930-1998) exuberant universe of books, drawings, prints, photos, videos, pictures and objects, which often include organic materials and everyday objects consecrated to decay, the volume documents two stations from his time in Stuttgart.
In 1990, Roth produced a 25-color serigraph with the title Ein gerissener HASE by Frank Kicherer, which shows his unique and confident handling of various printing techniques. By rotating the print, moving individual printing cycles and changing colors, an incomparable wealth of variants was created. The selected sheets are preceded by a text by Dieter Roth to Frank Kicherer from 1979, which poetically reveals the friendly relationship between artist and printer.
With atmospheric photographs, the book also shows Roth's work on Bar No. 0, which he expanded and restored in February 1998, just a few months before his death, at the Staatsgalerie Stuttgart. Björn Roth, his son and artistic confidant, describes how he was commissioned by the Staatsgalerie to find a technique for detaching the work from the workshop wall.
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